I’ve just (well, the month before last – but in terms of my writing on this site, that counts as ‘just’) got back from Tbilisi, the capital of Georgia, where I was attending the 2017 annual conference of CIDOC, the international organisation for those working in museum documentation.1 As well as a fascinating range of papers from many countries, visits to Georgian museums (and opportunities to sample Georgian wines), I facilitated a couple of sessions dedicated to the CIDOC Documentation Standards Working Group (DSWG)’s Encyclopaedia of Museum Practice – ably helped by my co-facilitators, Maija Ekosaari and Jan Behrendt, and filling in for the DSWG’s co-chair, Jonathan Whitson Cloud.
My colleagues who work in museum documentation have rightly been indignant about an article published by the Daily Telegraph yesterday, under the attention-seeking headline ‘Half of world’s museum specimens are wrongly labelled’.1 Continue reading Why half the world’s museum specimens are wrongly labelled
- Sarah Knapton, ‘Half of world’s museum specimens are wrongly labelled, Oxford University finds’, The Telegraph (published online 17 November 2015) <http://www.telegraph.co.uk/news/science/science-news/11998634/Half-of-worlds-museum-specimens-are-wrongly-labelled-Oxford-University-finds.html> accessed 17 September 2015. [↩]
I was flattered to receive an email a few months ago from Nick Poole, at that point still the Chief Executive of Collections Trust, asking me to speak at the Trust’s forthcoming annual conference. Nick suggested that I might ‘take a look at where we are today with documentation, which challenges have been solved and which are still to be addressed’ – all in twenty minutes! Those of you that know me will also realise that this isn’t really the way I work: I prefer to start with the detail and work outwards from that, rather than beginning with grand abstractions about the bigger picture. But after a quick exchange of emails, Nick and I agreed a subject, and I gave my lecture at the Collections Trust 2015 conference at the Natural History Museum a few weeks ago.
I realise, looking at this site’s dashboard, that I’ve not posted much recently. In part this is down to personal distractions; in part it’s because I’ve been doing a lot of reading, and some writing, on the subject of renaissance magnificence – on which, I hope, more will follow later; and in part it’s because I’ve had my head down with things like a complete review of the Horniman Museum’s core documentation procedures prior to an accreditation return (if you work in UK museums, you’ll understand what that entails). Then I received a Twitter notification to say that Katie Hobbs had nominated me in the Twitterati Challenge. Continue reading #TwitteratiChallenge
A couple of months ago, I was on the shortlisting and interviewing panel for a documentation-related museum job. Although we had some very good applications, the overall standard was worryingly low. It looked as though many applicants hadn’t been told about what makes a good application, so I’d like to offer some advice here.