Full-length reviews

  • ‘Comfort and Most Appropriate Beauty’, a review of James Lindow, The Renaissance Palace in Florence: Magnificence and Splendour in Fifteenth-Century Italy, (Aldershot & Burlington, VT: Ashgate, 2007): Art History, Volume 31, Number 3 (June 2008), pp. 387-391. DOI: 10.1111/j.1467-8365.2008.00615.x
  • Une Renaissance singulière: la cour des Este à Ferrare / Een bijzondere Renaissance: het hof van des Estes te Ferrara, Brussels, Palais des Beaux-Arts / Paleis voor Schone Kunsten, 3 October 2003–11 January 2004, and Gli Este a Ferrara: una corte nel Rinascimento, Ferrara, Castello, 14 March–4 July 2004: Renaissance Studies, Volume 20, Number 3 (June 2006). DOI: 10.1111/j.1477-4658.2006.00202.x
  • ‘Pisanello pictor egregius redivivus’, a review of Luke Syson & Dillian Gordon, Pisanello: Painter to the Renaissance Court, (New Haven & London: Yale University Press and London: National Gallery, 2001), and the exhibition Pisanello: Painter to the Renaissance Court, London, National Gallery, 24 October 2001–13 January 2002: Art History, Volume 25, Number 5 (November 2002), pp. 691-696. DOI: 10.1111/1467-8365.00354
  • Olga Raggio & Antoine M. Wilmering, The Gubbio Studiolo and its Conservation, (New York: Metropolitan Museum of Art, 2000): The Art Book, Volume 10, Issue 1 (January 2003), pp. 39-40. DOI: 10.1111/1467-8357.00316
  • Joanna Woods-Marsden, Renaissance Self-Portraiture: The Visual Construction of Identity and the Social Status of the Artist, (New Haven & London: Yale University Press, 1998): Apollo, Volume CXLX, Number 450 (New Series) (October 1999), pp. 58-59.

Short reviews

  • Geraldine A. Johnson, Renaissance Art: A Very Short Introduction, (Oxford: Oxford University Press, 2005): The Art Book, Volume 13, Issue 3 (August 2006), p. 70. DOI: 10.1111/j.1467-8357.2006.00714_7.x
  • Mary Hollingsworth, The Cardinal’s Hat: Money, Ambition and Housekeeping in a Renaissance Court, (London: Profile Books, 2004): The Art Book, Volume 12, Issue 1 (February 2005), pp. 38-39. DOI: 10.1111/j.1467-8357.2005.00503.x
  • Yannick Guégan, Trompe l’Oeil Panels and Panoramas: Decorative Images for Artists and Architects, (London: Thames & Hudson, 2003): The Art Book, Volume 11, Issue 1 (January 2003), p. 63. DOI: 10.1111/j.1467-8357.2004.00394.x
  • Alison Cole, Art of the Italian Renaissance Courts: Virtue and Magnificence, The Everyman Art Library (London: Weidenfeld & Nicolson, 1995): The Burlington Magazine, Volume CXXXVIII, Number 1115 (February 1996), pp. 140-141.
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