Since I last wrote about EODEM (the Exhibition Object Data Exchange Model), three months ago, we have been busy. The net result is a new draft of the standard (now available via CIDOC’s new document repository, by the way.) Whilst this is not yet final, it marks a significant evolution of the draft, and we don’t expect to make too many more changes.Continue reading EODEM update 2
I was very pleased to hear EODEM referred to last week,1 during the third Balboa Park Online Collaborative webinar on Dreaming of a New Collections Management System (a really interesting series, well worth watching if you haven’t already, and have the time). But then, as it was Richard Light speaking, and he’s been hard at work recently on building an EODEM importer / exporter for MODES, perhaps it wasn’t so surprising – but this made we realise it’s time to share where we are with the EODEM project.Continue reading EODEM update 1
If you follow me on Twitter, you may have noticed that I’ve been very quiet over the last year: I haven’t really been able to face social media since the pandemic started. But when I have tweeted, it’s usually been about conferences – and I’ve been making much of something called EODEM. This post is to explain what EODEM is, and why I think it’s important.Continue reading What is EODEM?
I’ve just (well, the month before last – but in terms of my writing on this site, that counts as ‘just’) got back from Tbilisi, the capital of Georgia, where I was attending the 2017 annual conference of CIDOC, the international organisation for those working in museum documentation.1 As well as a fascinating range of papers from many countries, visits to Georgian museums (and opportunities to sample Georgian wines), I facilitated a couple of sessions dedicated to the CIDOC Documentation Standards Working Group (DSWG)’s Encyclopaedia of Museum Practice – ably helped by my co-facilitators, Maija Ekosaari and Jan Behrendt, and filling in for the DSWG’s co-chair, Jonathan Whitson Cloud.