Tag Archives: Knowledge Integration

News from the National Gallery – 3

Alongside the 200 online catalogue entries in 200 Paintings for 200 Years, and the bibliographies and exhibition histories I wrote about recently, the National Gallery has now put on its website a provenance for every painting in the main collection. This post talks in brief about why provenances are important, and what makes them difficult to deal with, before outlining what we’ve done at the Gallery.

A note of caution: the image above is misleading. We haven’t published provenances as structured data, let alone visualisations. It’s taken from an old screengrab of Carnegie Museum of Art’s Elysa provenance-parsing tool, and I used it because it provides a visual representation of a provenance.

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News from the National Gallery – 2

At the same time as announcing 200 Paintings for 200 Years, the National Gallery has expanded the online information it provides about its paintings to include bibliographies, exhibition histories, and provenances. This post is about the first two; I’ll write more about provenances soon. Like the 200 online catalogue entries, these are projects that my team has been working on for some time – building on work done at the Gallery years ago.

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News from the National Gallery – 1

Earlier today, the National Gallery launched 200 Paintings for 200 Years – 200 catalogue entries placed online, most for the first time. All in all, this comes to about 2.2 million words; 2,850 images; and references to 8,130 publications, 1,325 archival documents, and 860 exhibitions. As this is something that my team and I have been working on for quite some time, I thought I’d say a bit more about the project.

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EODEM update 8 – launch

It’s been a while coming but … today, 1 September 2023, the CIDOC Documentation Standards Working Group (DSWG) announced the launch of its Exhibition Object Data Exchange Model (EODEM) as a live, finalised standard. Specification files can be accessed via the project’s pages on the CIDOC website, and developers can obtain support via email.

The aim of EODEM is to save people working in museums from wasting their time continually cutting and pasting (or even worse, retyping) information between different collections management systems (CMSs) when they’re borrowing objects for exhibitions.

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Dublin: kiosks, linked data, and the Dead Zoo

This April I was in Dublin for a few days, speaking at Collective Imagination 2019, the conference for users of TMS museum collection management software. This is a brief post about the conference and my lecture, and a visit to the Dublin Museum of Natural History.

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One month, five events

July was a busy month – so busy, that I’ve only now finished writing up notes from the five different conferences, workshops and meetings that I attended in just over three weeks. But why spend so much time out of the office? Continue reading One month, five events